![]() Ducournau, a 37-year-old Parisian, ascends to the cinematographic Olympus, and with a clear voice: on stage with La Palma in hand, he defended diversity,Īnd the emotion of the monstrous and the different. (2016), to end up talking about the love between a father and a son, or at least someone he considers his offspring. , by Cronenberg, to the purest terror bordering on a visual punk that surpasses the raw images of the director's first film, Spike Lee sits down after making the mistake of announcing the Palme d'Or ahead of time.SEBASTIEN NOGIER / EFE Later, in the press room, he repeated that he had no "excuses" for his mistake. Lee apologized for the disaster he made by busting all intrigue: "I have learned that there is always time for a second chance," before he was about to skip the script again. Instead of following the natural ascending order of the awards, and it certainly has seemed like a cocktail measured in its nine components of male and female voices, and of creators from all over the world. The jury was chaired by Spike Lee, who messed up the ceremony when he blurted out that the Palme d'Or was for Thierry Frémaux, General Delegate of Cannes: “An 'online' film festival is not a festival” In French, adding the e to the end of the word feminizes it. It is translatable by titanium (by the plate that the protagonist wears on the head) and, as its creator explains, it is also a game about myths and the titans, the Greek giants who wanted to storm the skies, like her character. Its protagonist, a serial killer who becomes pregnant with a car, ends up posing as a missing boy in order to hide. Ducournau's film has provoked great debates since its projection for its radicalism, its firmness and its defense of a love above the sexes and of female empowerment. In 1993, although on that occasion it was shared. The director is the second winner of the French competition after Jane Campion, for ![]() By the French Julia Ducournau, has won the Palme d'Or at the 74th Cannes Film Festival.
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